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  2. Kayser Op. 20

Kayser Etude 2 (Op. 20 No. 2)hear it, slow it down, play along

  • Heinrich Ernst Kayser (1815–1888)
  • Violin
  • Andante, quasi Adagio
  • F major
  • 4/4
  • 28 bars
Setting out the notes…
Tempo
♩ = 40
barstoof …

What it works on

A slow F major study for long, even bows: whole and half notes with swells, then a flowing section in eighths.

A way to practise it

Set the tempo low and use the whole bow on the long notes. The player keeps time, so you can listen to the length of each note.

The page prints the tempo as a word, “Andante, quasi Adagio”. The numbers below are my suggestions for getting there, in quarter notes per minute; tap them in the player.

  • Slow ♩ = 40
  • Practice ♩ = 52
  • Goal ♩ = 66

What you hear

The notes and rhythms of the study, played at an even volume. Slurs, bowings, dynamics, fingerings, trills and turns are not in this version, so keep the printed page in front of you; the scan is linked under “Where the notes come from”.

Kayser Op. 20

Kayser Etude 2 is No. 2 of Heinrich Ernst Kayser’s 36 Elementary and Progressive Studies, Op. 20. All 9 Kayser Op. 20 studies on this site, with key and tempo for each.

Playing it on another instrument

The written-for versions in the player follow these rules:

Questions

What tempo should I play Kayser Etude 2 at?
The printed tempo is a word, “Andante, quasi Adagio”, not a number. Start around ♩ = 40, practise at 52 and aim for about 66 quarter notes a minute. The player takes any tempo between those and more.
What does Kayser Etude 2 (Op. 20 No. 2) work on?
A slow F major study for long, even bows: whole and half notes with swells, then a flowing section in eighths.
Can I play Kayser Etude 2 on B♭ clarinet or B♭ trumpet or E♭ alto sax or F horn?
Yes. Pick your instrument under “Written for” in the player: the part is moved into that instrument's key and still sounds at the original pitch, so you can play it alongside the violin version.
Where can I get the sheet music for Kayser Etude 2 (Op. 20 No. 2)?
It is public domain. The notes here come from Carl Fischer, New York, 1910 (Carl Fischer's Music Library No. 118, plate 13456-50), which is scanned on IMSLP. Keep the printed page in front of you for bowings, slurs and dynamics, which the player leaves out.

Photograph your own part with ScoreLens.

This player is the one in the app. Point your phone at the page on your music stand, and ScoreLens reads it and plays it back, slower or in another key. It is best on single-line parts and reads piano too. Handwriting is out of reach for now.

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